Congressional Presentation Sword with Scabbard of Colonel Marinus Willett (1740–1830)

Congressional Presentation Sword with Scabbard of Colonel Marinus Willett (1740–1830)

C. Liger

An item at Metropolitan Museum of Art

This sword is one of ten "elegant swords" awarded by the Continental Congress to various officers for meritorious action against the British during the American Revolution. Owing to lack of funds, the swords were not executed until 1785–86. They were made not by an American craftsman but by one of the finest fourbisseurs (sword retailers) in Paris. The decoration, in part prescribed by Congress, includes the coat of arms of the United States on one side of the grip and an appropriate presentation inscription on the other. This example is inscribed "Congress to Col. Willett, Oct. 11, 1777." These congressional swords are the first in a long tradition of specially designed presentation swords that would be awarded to America's military leaders throughtout the next century.


Arms and Armor

An exhibit at Metropolitan Museum of Art

Congressional Presentation Sword with Scabbard of Colonel Marinus Willett (1740–1830)Congressional Presentation Sword with Scabbard of Colonel Marinus Willett (1740–1830)Congressional Presentation Sword with Scabbard of Colonel Marinus Willett (1740–1830)Congressional Presentation Sword with Scabbard of Colonel Marinus Willett (1740–1830)Congressional Presentation Sword with Scabbard of Colonel Marinus Willett (1740–1830)

The principal goals of the Arms and Armor Department are to collect, preserve, research, publish, and exhibit distinguished examples representing the art of the armorer, swordsmith, and gunmaker. Arms and armor have been a vital part of virtually all cultures for thousands of years, pivotal not only in conquest and defense, but also in court pageantry and ceremonial events. Throughout time the best armor and weapons have represented the highest artistic and technical capabilities of the society and period in which they were made, forming a unique aspect of both art history and material culture.