Halberd of Wolf Dietrich von Raitenau, Prince-Archbishop of Salzburg (reigned 1587–1612)

Halberd of Wolf Dietrich von Raitenau, Prince-Archbishop of Salzburg (reigned 1587–1612)

An item at Metropolitan Museum of Art

This halberd, with its slightly concave axe blade, wide apical spike with sharp mid-ridge, strongly curved beak, and fancifully scrolled general outline, is typical of the parade weapons used by palace guards of German princes during the second half of the sixteenth and throughout the seventeeth centuries. Its entire surface, including the square socket and the long steel straps (Schaftfedern) fastening the head to the shaft, is profusely etched with scrollwork and grotesques. On either side of the axe blade is an etched rondel containing the coat of arms of Wolfgang Dietrich von Raitenau, Prince Archbishop of Salzburg, quarterly, 1 and 4 per pale, or, a lion sable, and gules, a fess argent (Salzburg); 2 and 3, argent, a ball sable (Raitenau), surmounted by a cardinal's hat. On a small cartouche approximately in the middle of the spike is etched the date 1589.


Arms and Armor

An exhibit at Metropolitan Museum of Art

Halberd of Wolf Dietrich von Raitenau, Prince-Archbishop of Salzburg (reigned 1587–1612)Halberd of Wolf Dietrich von Raitenau, Prince-Archbishop of Salzburg (reigned 1587–1612)Halberd of Wolf Dietrich von Raitenau, Prince-Archbishop of Salzburg (reigned 1587–1612)Halberd of Wolf Dietrich von Raitenau, Prince-Archbishop of Salzburg (reigned 1587–1612)Halberd of Wolf Dietrich von Raitenau, Prince-Archbishop of Salzburg (reigned 1587–1612)

The principal goals of the Arms and Armor Department are to collect, preserve, research, publish, and exhibit distinguished examples representing the art of the armorer, swordsmith, and gunmaker. Arms and armor have been a vital part of virtually all cultures for thousands of years, pivotal not only in conquest and defense, but also in court pageantry and ceremonial events. Throughout time the best armor and weapons have represented the highest artistic and technical capabilities of the society and period in which they were made, forming a unique aspect of both art history and material culture.