Armor of Sir James Scudamore (1558–1619)

Jacob Halder

An item at Metropolitan Museum of Art

Sir James Scudamore (1558–1619) was a prominent Elizabethan soldier and courtier. Also an enthusiastic jouster, he was praised in Edmund Spenser’s Faerie Queene (published 1596) as an example of chivalry personified. This armor was part of a large garniture, which probably had exchange pieces to adapt it for cavalry, infantry, and possibly also tournament use. It was made in the royal workshops at Greenwich about 1595–96, perhaps in anticipation of Scudamore’s participation in the 1596 naval attack on Cadiz, Spain. Scudamore’s portrait, still in the possession of his descendants, shows him wearing this armor. The remains of this and the earlier Scudamore armor (Metropolitan Museum of Art, accession number 11.128.1)were found, badly damaged and incomplete, in 1909, in Holme Lacy, the ancestral home of the Scudamores. The armors were restored and completed in The Metropolitan Museum of Art in 1915, by the armorer Daniel Tachaux. The parts made by Tachaux include the breastplate, backplate, and gauntlets.

Arms and Armor

An exhibit at Metropolitan Museum of Art

The principal goals of the Arms and Armor Department are to collect, preserve, research, publish, and exhibit distinguished examples representing the art of the armorer, swordsmith, and gunmaker. Arms and armor have been a vital part of virtually all cultures for thousands of years, pivotal not only in conquest and defense, but also in court pageantry and ceremonial events. Throughout time the best armor and weapons have represented the highest artistic and technical capabilities of the society and period in which they were made, forming a unique aspect of both art history and material culture.

Metropolitan Museum of Art