Seated female

An item at Metropolitan Museum of Art

Western Central Asia, now known as Turkmenistan, Uzbekistan, and northern Afghanistan, has yielded objects attesting to a highly developed civilization in the late third and early second millennium B.C. Artifacts from the region indicate that there were contacts with Iran to the southwest. Among the few three-dimensional images assigned to this period in Central Asia are a group of stone female figures seated or squatting on a platform and wearing a robe decorated with a pattern, perhaps imitating sheep's fleece. They are always composite figures of soft green chlorite or steatite, with heads of white limestone. This example has a typical abstract form with an armless body and legs represented by a protruding ledge. Excavated examples of this figure type come from sites in Margiana in southern Turkmenistan, a possible center of their production. Similar seated females on cylinder seal impressions from southwestern Iran appear to depict royal figures. On compartmented stamp seals from western Central Asia, a possible version of the female figure appears where she is sometimes flanked by or seated upon animals or mythical creatures. These attributes could indicate a divine quality.

Ancient Near Eastern Art

An exhibit at Metropolitan Museum of Art

The Met's Department of Ancient Near Eastern Art cares for approximately 7,000 works ranging in date from the eighth millennium B.C. through the centuries just beyond the emergence of Islam in the seventh century A.D. Objects in the collection were created by people in the area that today comprises Iraq, Iran, Turkey, Syria, the Eastern Mediterranean coast, Yemen, and Central Asia. From the art of some of the world's first cities to that of great empires, the department's holdings illustrate the beauty and craftsmanship as well as the profound interconnections, cultural and religious diversity, and lasting legacies that characterize the ancient art of this vast region.

Metropolitan Museum of Art