Cylinder seal with cultic scene

Cylinder seal with cultic scene

An item at Metropolitan Museum of Art

Seals of the early first millennium B.C. in Babylonia and Assyria were carved in the linear, drilled, cut, and modeled styles. The modeled style illustrated here derives from earlier Middle Assyrian seal carving and from the modeled sculpture in the palace of Sargon II (r. 721–705 B.C.), king of Assyria at Khorsabad. This style was used predominantly on seals showing scenes of contest and worship. On this cylinder seal a statue of the goddess Ishtar stands on a platform within a canopied enclosure. Ishtar is identified by crossed quivers, a starred crown, and stars encircling her body. Two winged genies protect the enclosure, while a kneeling figure worships.


Ancient Near Eastern Art

An exhibit at Metropolitan Museum of Art

Cylinder seal with cultic sceneCylinder seal with cultic sceneCylinder seal with cultic sceneCylinder seal with cultic sceneCylinder seal with cultic scene

The Met's Department of Ancient Near Eastern Art cares for approximately 7,000 works ranging in date from the eighth millennium B.C. through the centuries just beyond the emergence of Islam in the seventh century A.D. Objects in the collection were created by people in the area that today comprises Iraq, Iran, Turkey, Syria, the Eastern Mediterranean coast, Yemen, and Central Asia. From the art of some of the world's first cities to that of great empires, the department's holdings illustrate the beauty and craftsmanship as well as the profound interconnections, cultural and religious diversity, and lasting legacies that characterize the ancient art of this vast region.