Seated goddess with a child

Seated goddess with a child

An item at Metropolitan Museum of Art

This tiny pendant was probably intended to be worn round the neck as an amulet. Small gold figures with loops survive from Iran, Mesopotamia, the Levant, and Egypt, attesting to the widespread use of such objects. Similar objects from Hittite culture suggest that these small figures were portable representations of Hittite gods. The figure shown here, cast in gold using the lost-wax process, is of a seated goddess in a long gown, with large oval eyes and a thin mouth with creases at the sides. She is wearing simple, looped earrings and a necklace. Her disk-like headdress probably represents the sun, which would lead to the conclusion that this may be the sun goddess, Arinna, a major Hittite divinity. A loop for suspension protrudes from the back of the headdress. On her lap the goddess holds a naked child, cast separately of solid gold and then attached. The chair on which they are seated is backless and has lion paws.


Ancient Near Eastern Art

An exhibit at Metropolitan Museum of Art

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The Met's Department of Ancient Near Eastern Art cares for approximately 7,000 works ranging in date from the eighth millennium B.C. through the centuries just beyond the emergence of Islam in the seventh century A.D. Objects in the collection were created by people in the area that today comprises Iraq, Iran, Turkey, Syria, the Eastern Mediterranean coast, Yemen, and Central Asia. From the art of some of the world's first cities to that of great empires, the department's holdings illustrate the beauty and craftsmanship as well as the profound interconnections, cultural and religious diversity, and lasting legacies that characterize the ancient art of this vast region.