Top fragment of a kudurru with a mushhushshu dragon and divine symbols
An item at Metropolitan Museum of Art
Known as kudurrus or narus, a distinctive group of Babylonian stone monuments were once thought to be boundary markers placed in fields. In fact they are more likely to have been placed in temples, where their contents were preserved and sanctified. The monuments, often made from polished black limestone, are usually uneven and boulder-like in shape. They carry inscriptions describing grants of land, often from the king to a high official. Around the text are placed divine symbols, which act to protect and guarantee the gift. Kudurrus first appear in the second millennium B.C., during the period of Kassite rule in Babylonia. This fragmentary example dates to the 12th century B.C. The surviving piece, which comes from the top part of the kudurru, shows part of the body of a snake coiling round the upper surface. Below the snake is a mushhushshu, a composite dragon associated with Babylon’s chief deity, Marduk, and his son Nabu. The mushhushshu faces a temple façade or altar on which stands a spade symbol, also associated with Marduk. Below these can be seen a very small section of the original inscription. The other side of the stone shows astral symbols representing the sun (the sun-god Shamash) and Venus (the goddess Ishtar), as well as another stylized temple-façade, this time with a horned crown (a symbol used for the sky-god Anu and the great wind god Enlil). Also visible is part of a goat-fish, associated with the god Ea.
Ancient Near Eastern Art
An exhibit at Metropolitan Museum of Art
The Met's Department of Ancient Near Eastern Art cares for approximately 7,000 works ranging in date from the eighth millennium B.C. through the centuries just beyond the emergence of Islam in the seventh century A.D. Objects in the collection were created by people in the area that today comprises Iraq, Iran, Turkey, Syria, the Eastern Mediterranean coast, Yemen, and Central Asia. From the art of some of the world's first cities to that of great empires, the department's holdings illustrate the beauty and craftsmanship as well as the profound interconnections, cultural and religious diversity, and lasting legacies that characterize the ancient art of this vast region.