
Head of a man
An item at Metropolitan Museum of Art
This fine male portrait head is thought to date from the middle of the first millennium A.D. and may have been part of a larger royal sculpture. The figure is wearing a stylized laurel wreath, a symbol of high rank. The use of the wreath to denote status reflects the influence of the Graeco-Roman world and appears in more realistic form on the coins of the kingdom of Himyar from the first centuries B.C. and A.D. A long mustache drapes along each side of the mouth, the chin is bearded, and a single ringlet is carefully carved on the surface of the left cheek. This last detail is undoubtedly significant since it is, to this day, characteristic of the hairstyle of Yemeni Jews. In the fourth century A.D. many of the kings of Himyar were converted to Judaism, so this feature may eventually aid in the identification of the figure. Carved from translucent alabaster with beautifully polished surfaces, this portrait is a notable example of the art of ancient Arabia.
Ancient Near Eastern Art
An exhibit at Metropolitan Museum of Art
The Met's Department of Ancient Near Eastern Art cares for approximately 7,000 works ranging in date from the eighth millennium B.C. through the centuries just beyond the emergence of Islam in the seventh century A.D. Objects in the collection were created by people in the area that today comprises Iraq, Iran, Turkey, Syria, the Eastern Mediterranean coast, Yemen, and Central Asia. From the art of some of the world's first cities to that of great empires, the department's holdings illustrate the beauty and craftsmanship as well as the profound interconnections, cultural and religious diversity, and lasting legacies that characterize the ancient art of this vast region.