Spouted jar
An item at Metropolitan Museum of Art
This globular pitcher has a flat base, an everted rim, and a single loop handle connected at the rim and shoulder. A triangular spout emerges from one side of the pitcher, and two raised ridges encircle the neck. The pitcher is made of buff clay using a potter’s wheel, with the handle and spouted added. The pitcher was excavated at Tepe Nush-i Jan, an Iron Age hilltop site about 60 km sound of Hamadan in western Iran. Nush-i Jan was occupied in the 7th and 6th centuries B.C., and its occupants are generally thought to be the Medes, an Iranian people known from Assyrian, Achaemenid and Biblical sources. Though the textual sources portray them as a powerful empire, archaeological evidence for the Medes has yet to sustain this impression. Rather, they seem to have lived in scattered fortified sites in western and central Iran, without any clear capital. Nush-i Jan, one of the best known of these sites, features two temples, a columned hall, and a fort. The jar was found in the columned hall in what has been identified as a ‘squatter’s level.’ Archaeologists use the term ‘squatting’ to refer to the re-occupation of a site or structure shortly after its abandonment. In this case the ‘squatters’ appear to be Medes, and it perhaps more useful to think of this as a reconfiguration of space rather than squatting. Some political change may have resulted in the columned hall, where the local ruler would have held audiences, no longer being necessary.
Ancient Near Eastern Art
An exhibit at Metropolitan Museum of Art
The Met's Department of Ancient Near Eastern Art cares for approximately 7,000 works ranging in date from the eighth millennium B.C. through the centuries just beyond the emergence of Islam in the seventh century A.D. Objects in the collection were created by people in the area that today comprises Iraq, Iran, Turkey, Syria, the Eastern Mediterranean coast, Yemen, and Central Asia. From the art of some of the world's first cities to that of great empires, the department's holdings illustrate the beauty and craftsmanship as well as the profound interconnections, cultural and religious diversity, and lasting legacies that characterize the ancient art of this vast region.