Cuneiform tablet: quittance for a loan in silver

Cuneiform tablet: quittance for a loan in silver

An item at Metropolitan Museum of Art

Kültepe, the ancient city of Kanesh, was part of the network of trading settlements established in central Anatolia by merchants from Ashur (in Assyria in northern Mesopotamia) in the early second millennium B.C. Travelling long distances, and often living separately from their families, these merchants traded vast quantities of goods, primarily tin and textiles, for Anatolian copper and other materials. Although the merchants adopted many aspects of local Anatolian life, they brought with them Mesopotamian tools used to record transactions: cuneiform writing, clay tablets and envelopes, and cylinder seals. Using a simplified version of the elaborate cuneiform writing system, merchants tracked loans as well as business deals and disputes, and sent letters to families and business partners back in Ashur. At Kültepe, thousands of these texts stored in household archives were preserved when fire destroyed the city in ca. 1836 B.C. Because the tablets document the activities of Assyrian merchants, they provide a glimpse into the complex and sophisticated commercial interactions that took place in the Near East during the beginning of the second millennium B.C. This tablet documents the discharge from debt for a silver loan owed to Ashur-taklaku. The cuneiform text, which reads from left to right, indicates that the loan of silver has been paid, and any further claims are void. Witnesses are listed in the text, and their seals appear on the clay envelope or case which contained the tablet (MMA 66.245.16b).


Ancient Near Eastern Art

An exhibit at Metropolitan Museum of Art

Cuneiform tablet: quittance for a loan in silverCuneiform tablet: quittance for a loan in silverCuneiform tablet: quittance for a loan in silverCuneiform tablet: quittance for a loan in silverCuneiform tablet: quittance for a loan in silver

The Met's Department of Ancient Near Eastern Art cares for approximately 7,000 works ranging in date from the eighth millennium B.C. through the centuries just beyond the emergence of Islam in the seventh century A.D. Objects in the collection were created by people in the area that today comprises Iraq, Iran, Turkey, Syria, the Eastern Mediterranean coast, Yemen, and Central Asia. From the art of some of the world's first cities to that of great empires, the department's holdings illustrate the beauty and craftsmanship as well as the profound interconnections, cultural and religious diversity, and lasting legacies that characterize the ancient art of this vast region.