Candlestick

Tiffany & Co.

An item at Metropolitan Museum of Art

These candlesticks exemplify the innovative designs and technical virtuosity that characterized Tiffany & Co.’s work during the 1870s and 1880s. Exhibited at the 1878 Paris Exposition Universelle (World’s Fair), the candlesticks evidence a sophisticated engagement with Islamic decorative vocabulary and design. Edward C. Moore, the director of Tiffany’s silver division during most of the second half of the nineteenth century, was a passionate and discerning collector of metalwork, glass, ceramics, and textiles from the Islamic world. His collections informed his creative vision, and these candlesticks reflect the fresh and original ways in which he and his designers and craftsmen responded to these sources of inspiration. A surviving diary of one of Tiffany’s leading designers, Charles Grosjean, documents the candlesticks as the first works he selected for inclusion in the firm’s display in Paris. Particularly striking and unusual for their use of iron, the candlesticks offer compelling supporting evidence for Tiffany’s declaration that their exhibition in Paris "has proved a success far greater than any one had expected…" and "is proof of the growth of our people in art knowledge and education." The acclaim Tiffany & Co. garnered at the fair propelled them to international prominence and prompted the British designer and critic Christopher Dresser to dub them "first silversmiths of the world."

The American Wing

An exhibit at Metropolitan Museum of Art

The American Wing's ever-evolving collection comprises some 20,000 works of art by African American, Euro American, Latin American, and Native American men and women. Ranging from the colonial to early-modern periods, the holdings include painting, sculpture, works on paper, and decorative arts—including furniture, textiles, ceramics, glass, silver, metalwork, jewelry, basketry, quill and bead embroidery—as well as historical interiors and architectural fragments.

Metropolitan Museum of Art