The Wood Sawyer

Charles E. Weir

An item at Metropolitan Museum of Art

"The Wood Sawyer" is unlike any known early 19th-century genre scene in its positive focus on a Black figure. Painted by New York-trained Charles Weir (younger brother of the better-known Robert Weir), it is one of just two existing works by the artist. As noted in the title, the depicted figure is a ‘sawyer’, cutting wood to be sent down an open scuttle—visible with its chained cast-iron cap in the stone sidewalk—into the cellar of a hotel, identified by the hanging sign. The man’s elegant dress may also imply different responsibilities as a porter. The presence of rooting hogs in the middle distance indicate sanitation challenges in a rapidly industrializing New York, especially in working-class neighborhoods, where the animals also functioned as a source of food. On his 1842 visit to the city, English writer and social critic Charles Dickens was astonished by their "roving, gentlemanly, vagabond kind of life. They are never attended upon, or fed, or driven, or caught, but are thrown upon their own resources in early life, and become preternaturally knowing in consequence. . . . At this hour, just as evening is closing in, you will see them roaming towards bed by scores, eating their way to the last." That Weir chose to highlight both this critical urban problem and the significant labor of a free person of color reveals the topicality of the work.

The American Wing

An exhibit at Metropolitan Museum of Art

The American Wing's ever-evolving collection comprises some 20,000 works of art by African American, Euro American, Latin American, and Native American men and women. Ranging from the colonial to early-modern periods, the holdings include painting, sculpture, works on paper, and decorative arts—including furniture, textiles, ceramics, glass, silver, metalwork, jewelry, basketry, quill and bead embroidery—as well as historical interiors and architectural fragments.

Metropolitan Museum of Art