Woman at a Window (from Sketchbook)

Woman at a Window (from Sketchbook)

Thomas Sully

An item at Metropolitan Museum of Art

Sully used his sketchbook as a site of inspiration and study, a place where he might jot down a few figures or work out a composition. The book contains drawings after works by David, possibly Michelangelo, Reynolds, Rembrandt, Van Dyck, and other European masters, for the most part taken from prints. Sully was not slavish in using his sources; he took incentive from other artists and obviously felt free to rearrange compositional elements. For example, this drawing of a woman standing at a window is a variation on Rembrandt's 1647 etching of Jan Six. Rembrandt's setting is preserved almost completely, but the Dutch statesman absorbed in reading a journal has been replaced with the neoclassical figure of a woman who, instead of reading the journal in her hands, stares pensively out the window.

The American Wing

An exhibit at Metropolitan Museum of Art

Woman at a Window (from Sketchbook)Woman at a Window (from Sketchbook)Woman at a Window (from Sketchbook)Woman at a Window (from Sketchbook)Woman at a Window (from Sketchbook)

The American Wing's ever-evolving collection comprises some 20,000 works of art by African American, Euro American, Latin American, and Native American men and women. Ranging from the colonial to early-modern periods, the holdings include painting, sculpture, works on paper, and decorative arts—including furniture, textiles, ceramics, glass, silver, metalwork, jewelry, basketry, quill and bead embroidery—as well as historical interiors and architectural fragments.