Quilt, Contained Crazy pattern
Nancy Doughty
An item at Metropolitan Museum of Art
This unusual work is one of the few Crazy quilts known to have been made during the early 1870s. Although some examples of cotton Crazy quilts have been tentatively dated to the 1860s, this quilt is one of the earliest to be firmly documented. There is an inscription in ink on a piece of striped cotton at the quilt's center: "Made by / Mrs. Nancy Doughty / in the / 82and year of her age / for her friend / Miss Lizzie Cole. A. D. 1872". The quilt appears never to have been used; when Miss Lizzie Cole received it in 1872, she must have prized the work of her friend Mrs. Nancy Doughty as highly as we do today, and it is likely that she put it away for safekeeping. Crazy quilts may have been so named because of the random shapes and sizes of the fabric pieces stitched together to form the quilt blocks. This type of pattern had many sources, including Japanese art, which was highly influential in Europe and America after the opening of Japan to the West in 1854. Throughout the last two decades of the nineteenth century, silk and velvet Crazy quilts (see 1989.66 and 1993.101) were the height of fashion. In comparison, this example, with its color scheme of subtle brown and orange printed cottons, and contained pattern of pieced diamond-shaped blocks within a grid, has a very different appearance. Unlike the silk and velvet quilts, which were often made from kits, the cotton versions were probably pieced exclusively from scraps of fabric accumulated by the quiltmaker. Although a large number of silk Crazy quilts can still be found today, very few of the earlier cotton versions such as this one survive.
The American Wing
An exhibit at Metropolitan Museum of Art
The American Wing's ever-evolving collection comprises some 20,000 works of art by African American, Euro American, Latin American, and Native American men and women. Ranging from the colonial to early-modern periods, the holdings include painting, sculpture, works on paper, and decorative arts—including furniture, textiles, ceramics, glass, silver, metalwork, jewelry, basketry, quill and bead embroidery—as well as historical interiors and architectural fragments.