Portrait of Frederick R. Leyland

James McNeill Whistler

An item at Metropolitan Museum of Art

This is one of two (see also 40.91.5 recto) informal yet enigmatic portraits Whistler made of his most significant patron while working on a full-length oil portrait of Leyland (Freer Gallery of Art, Washington) at the sitter’s house near Liverpool, England. The shipping magnate Leyland was an aggressive businessman but an indulgent, even nurturing, patron who fostered the critical endeavors of Whistler’s early maturity. Whistler called Leyland “the Liverpool Medici,” a fair characterization of his patron’s self-image and the one projected in the full-length portrait, hand on hip with one leg forward. The two drawings, which in medium and support as well as in the subject’s pose and dress suggest that both were done in a single sitting, relate to the oil only in the foil of darkness out of which the figure is revealed.

The American Wing

An exhibit at Metropolitan Museum of Art

The American Wing's ever-evolving collection comprises some 20,000 works of art by African American, Euro American, Latin American, and Native American men and women. Ranging from the colonial to early-modern periods, the holdings include painting, sculpture, works on paper, and decorative arts—including furniture, textiles, ceramics, glass, silver, metalwork, jewelry, basketry, quill and bead embroidery—as well as historical interiors and architectural fragments.

Metropolitan Museum of Art