Allan Melville

John Rubens Smith

An item at Metropolitan Museum of Art

In his novel "Pierre, or The Ambiguities" (1852), Herman Melville fictionalized this portrait of his father, describing the subject as the father of Pierre, the hero of the tale. The portrait so fascinated the younger Melville that an entire chapter, and much of the novel's theme, turns upon the mystery of the sitter's character, concealed by his youth, informality, and apparent candor. The portraitist Smith never exceeded his mastery here of exacting technique in the service of expression. The artist's métier in such cabinet-sized watercolor portraits stems from miniature painting and the related art of "stained drawings" developed in England in the late eighteenth century. Smith undoubtedly also derived his technique from his father, John Raphael Smith, who specialized in stipple engravings of portraits and genre scenes in his native London.

The American Wing

An exhibit at Metropolitan Museum of Art

The American Wing's ever-evolving collection comprises some 20,000 works of art by African American, Euro American, Latin American, and Native American men and women. Ranging from the colonial to early-modern periods, the holdings include painting, sculpture, works on paper, and decorative arts—including furniture, textiles, ceramics, glass, silver, metalwork, jewelry, basketry, quill and bead embroidery—as well as historical interiors and architectural fragments.

Metropolitan Museum of Art