The White Captive

The White Captive

Erastus Dow Palmer

An item at Metropolitan Museum of Art

The White Captive portrays a young woman who has been abducted in her sleep (her nightgown hangs from the tree trunk) and held captive by Native Americans. Bound at the wrists, she clenches her left fist behind her back in defiance. Palmer was commended for his choice of a “thoroughly American” subject, which consciously alluded to ongoing frontier skirmishes between Indigenous peoples and white pioneers. In 1859 the marble went on view in New York, and the exhibition, along with that of Frederic Edwin Church’s Heart of the Andes (09.95), emerged as the high point of that autumn’s art season.

The American Wing

An exhibit at Metropolitan Museum of Art

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The American Wing's ever-evolving collection comprises some 20,000 works of art by African American, Euro American, Latin American, and Native American men and women. Ranging from the colonial to early-modern periods, the holdings include painting, sculpture, works on paper, and decorative arts—including furniture, textiles, ceramics, glass, silver, metalwork, jewelry, basketry, quill and bead embroidery—as well as historical interiors and architectural fragments.