Birch Tree, Niagara

John Frederick Kensett

An item at Metropolitan Museum of Art

This drawing was executed when Kensett was refining his skill in woodland and bucolic subjects; it probably manifests his steady purpose to understand the character and variety of trees, so that in composing a painting he might readily and truthfully fashion them to suit pictorial needs. The birch tree was particularly apt for inclusion in landscape paintings: its whiteness provides natural relief against the dark forest mass; it has a notable tendency to arching, lyrical growth. Kensett was evidently attracted to this tree by the unusual deformity of the trunk, which may reflect damage by water or, more likely, ice. The plume of vapor that constantly rises from the base of the great cascade of Niagara renders trees in the immediate vicinity eternally damp; in the winter they are burdened with ice that can bend or snap their boughs and trunks.

The American Wing

An exhibit at Metropolitan Museum of Art

The American Wing's ever-evolving collection comprises some 20,000 works of art by African American, Euro American, Latin American, and Native American men and women. Ranging from the colonial to early-modern periods, the holdings include painting, sculpture, works on paper, and decorative arts—including furniture, textiles, ceramics, glass, silver, metalwork, jewelry, basketry, quill and bead embroidery—as well as historical interiors and architectural fragments.

Metropolitan Museum of Art