
Northeaster
Winslow Homer
An item at Metropolitan Museum of Art
Later in life, Homer increasingly edited his paintings, clarifying his compositions and their meanings. In 1895, when he first exhibited this epic scene of a winter storm at Prouts Neck, it included two figures crouching on the rocks in the lower left corner. Between 1896 and 1900, the artist eliminated the human presence and intensified the spray from the crashing waves. When the refined painting was exhibited at the Union League Club in New York in 1901, the critic for the New-York Tribune appreciated the new emphasis on pure nature and admired the painting as a representation of "three fundamental facts, the rugged strength of the rocks, the weighty, majestic movement of the sea and the large atmosphere of great natural spaces unmarked by the presence of puny man."
The American Wing
An exhibit at Metropolitan Museum of Art
The American Wing's ever-evolving collection comprises some 20,000 works of art by African American, Euro American, Latin American, and Native American men and women. Ranging from the colonial to early-modern periods, the holdings include painting, sculpture, works on paper, and decorative arts—including furniture, textiles, ceramics, glass, silver, metalwork, jewelry, basketry, quill and bead embroidery—as well as historical interiors and architectural fragments.