Baths of Trajan (Sette Sale, Villa Brancaccio, Rome)

Baths of Trajan (Sette Sale, Villa Brancaccio, Rome)

William Stanley Haseltine

An item at Metropolitan Museum of Art

The artist’s daughter, Helen Haseltine Plowden, named this watercolor Sette Sale, Villa Brancaccio when she donated it to the Museum in 1967. In a biography of her father, she described the villa as a "favourite resort" of the family and recalled joyful memories of her father sketching nearby ruins while the children played in the garden and the elders talked. The location depicted, however, is neither Sette Sale, a group of cisterns that supplied water to the Baths of Trajan (104–9 a.d.), or the Villa Brancaccio. It seems to instead represent the nearby ruins of the Baths of Trajan. Haseltine was likely attracted to the sense of decay of the ancient building as well as the verdant botanical overgrowth, which he rendered in vivid hues on blue paper, left bare to suggest the Roman sky.


The American Wing

An exhibit at Metropolitan Museum of Art

Baths of Trajan (Sette Sale, Villa Brancaccio, Rome)Baths of Trajan (Sette Sale, Villa Brancaccio, Rome)Baths of Trajan (Sette Sale, Villa Brancaccio, Rome)Baths of Trajan (Sette Sale, Villa Brancaccio, Rome)Baths of Trajan (Sette Sale, Villa Brancaccio, Rome)

The American Wing's ever-evolving collection comprises some 20,000 works of art by African American, Euro American, Latin American, and Native American men and women. Ranging from the colonial to early-modern periods, the holdings include painting, sculpture, works on paper, and decorative arts—including furniture, textiles, ceramics, glass, silver, metalwork, jewelry, basketry, quill and bead embroidery—as well as historical interiors and architectural fragments.