Sketch from Nature

Asher Brown Durand

An item at Metropolitan Museum of Art

In his series of essays published in 1855, “Letters on Landscape Painting,” Durand emphasized the vital importance of drawing to the production of art. Most of the drawings he made on summer sketching trips, such as this example, are intimate studies of natural forms. Trees were Durand’s favorite subject in both his drawings and his paintings and the examples depicted here reveal the artist’s extraordinary acuity in observing the nuances of form—the thick, gnarled roots twisting into the soil, the coarse bark, swollen knobs, and odd angles of the limbs and trunks. He took advantage of the positive and negative space produced by the exposed roots to create a lively patterning of light and shade. In contrast with the spirited three-dimensionality of the foreground subject, the trees in the background are barely indicated.

The American Wing

An exhibit at Metropolitan Museum of Art

The American Wing's ever-evolving collection comprises some 20,000 works of art by African American, Euro American, Latin American, and Native American men and women. Ranging from the colonial to early-modern periods, the holdings include painting, sculpture, works on paper, and decorative arts—including furniture, textiles, ceramics, glass, silver, metalwork, jewelry, basketry, quill and bead embroidery—as well as historical interiors and architectural fragments.

Metropolitan Museum of Art