
In the Laboratory
Henry Alexander
An item at Metropolitan Museum of Art
This is one of several interior scenes in which Alexander showed people at work, surrounded by their equipment. The portrait d’apparat—an image in which a figure appears along with objects associated with his or her daily life—reflects Alexander’s training in the Munich academy of fine arts and showcases his skills both as a portraitist and as a still-life painter. His subject here is the chemist and assayer Thomas Price (1837–1912), and the setting is Price’s San Francisco laboratory. A consultant to international mining companies, Price was noted for his practical and theoretical knowledge of metals and mines.
The American Wing
An exhibit at Metropolitan Museum of Art
The American Wing's ever-evolving collection comprises some 20,000 works of art by African American, Euro American, Latin American, and Native American men and women. Ranging from the colonial to early-modern periods, the holdings include painting, sculpture, works on paper, and decorative arts—including furniture, textiles, ceramics, glass, silver, metalwork, jewelry, basketry, quill and bead embroidery—as well as historical interiors and architectural fragments.